Biography

As the Gold medalist of China National Violin Competition in 1997 at the age of 15, Hongyi Mo was invited to premiere composer Chang-Yuan Liu’s “Psalm Concerto for Violin and Orchestra” as soloist with Xiamen Philharmonic Orchestra under China’s first female conductor, Maestro Zheng Xiaoyin (郑小瑛), and released a commercial recording of the concerto with the China National Youth Orchestra under conductor Yu Feng (俞峰), president of the Beijing Central Conservatory of Music. He was soon invited as a guest artist at the prestigious Diaoyutai State Guesthouse (中南海钓鱼台国宾馆).

Appreciated for his “masterful performance” (Detroit Newsletter), Hongyi Mo has been recognized for his “ability to create a captivating atmosphere” (Musical Instrument). His performance of Eugène Ysaÿe’s complete Six Sonatas for Solo Violin at the Casalmaggiore International Music Festival in Italy earned him a 15-minute standing ovation, and praised for his “engaging interpretations and virtuosic command” (La Milano).

Hongyi holds a Master of Music degree from Yale University and a Doctor of Musical Arts from the University of Michigan, where he was a Phi Kappa Phi honoree. As a longtime member of the Detroit Symphony Orchestra, one of the top ten orchestras in the U.S., he serves as a violinist and regular Acting Principal Second Violin. Over the course of his tenure, he has performed in over 3,000 concerts and collaborated with world-renowned conductors and artists. He had performed and worked closely with conductor Kurt Masur, violinist and violist Pinchas Zukerman, violinist Viviane Hagner, and violinist Cho-Liang Lin. A highlight of his career includes a notable 2014 collaboration with Maestro Leonard Slatkin, performing Vivaldi’s Concerto for Four Violins with the Detroit Symphony Orchestra, and performed the Sibelius Violin Concerto with the Grosse Pointe Symphony Orchestra. His deep interest in and passion for diverse musical genres has led to special engagements, including serving as the Associate Concertmaster for Andrea Bocelli’s 30th anniversary concert and performing at the Michigan Central Station concert alongside Eminem.

Hongyi’s orchestral performing career began during his studies at the Manhattan School of Music, where he served as concertmaster for both the Chamber Sinfonia and Symphony Orchestra, leading performances at Carnegie Hall and the acclaimed “Manhattan Takes Manhattan” event, which was featured in The New York Times. He has also held concertmaster positions with the Bowdoin Festival Orchestra and the Oberlin Contemporary Music Ensemble, and was concertmaster of the China National Youth Orchestra during his early years.

As a chamber musician, Hongyi has worked extensively with the internationally renowned Tokyo String Quartet and members of the American String Quartet. He has toured with acclaimed violinist Cho-Liang Lin, performed with numerous esteemed ensembles worldwide, and regularly collaborates with his colleagues from the Detroit Symphony.

As a passionate educator, Hongyi has made significant contributions to violin pedagogy. He currently serves as a lecturer for Lin Yaoji’s Teaching Method Promotion Platform (林耀基教学法推广平台). He has previously taught at the University of Michigan School of Music and has been a guest artist and masterclass instructor at the Interlochen Arts Academy Summer Festival, Beijing Capital Normal University, and the National Conservatory of Music in the Dominican Republic. His students have earned top prizes in national-level competitions in the US, gained acceptance into prestigious programs and schools like the Manhattan School of Music’s Orchestral Program, the University of Michigan School of Music, and secured positions in internationally renowned ensembles, including the Baltimore Symphony Orchestra.

Hongyi’s artistic development has been profoundly shaped by his studies with distinguished teachers, beginning with the highly respected violin pedagogue Yaoji Lin (林耀基) in Beijing Central Conservatory of Music. He also trained under Glenn Dicterow, former concertmaster of the New York Philharmonic; Lisa Kim, Associate Principal Second Violin of the New York Philharmonic; and David Halen, concertmaster of the Saint Louis Symphony. Additionally, he worked closely with David Kim, concertmaster of the Philadelphia Orchestra; David Chan, concertmaster of the Metropolitan Opera Orchestra; and Martin Chalifour, concertmaster of the Los Angeles Philharmonic. His artistic growth was further enriched through interactions with world-renowned soloists such as Salvatore Accardo and Gérard Poulet, as well as esteemed pedagogue Kurt Sassmannshaus.

His latest collaboration with Grammy-winning producer Alan Bise on his debut recording, Scent of Poulenc, for classical music label Azica Records, is set to be released in August 2025.

Hongyi performs on a violin crafted by the renowned French-German luthier Stephan von Baehr.

A person wearing glasses sitting at a table with a violin resting on it, dark background

1997年,年仅15岁的莫弘毅荣获第三届中国全国小提琴比赛金奖。次年,他应邀与中国首位女指挥家郑小瑛女士执棒的厦门爱乐乐团合作,首演作曲家刘长远的《诗篇小提琴协奏曲》,并与中央音乐学院院长俞峰执棒的中国青年交响乐团合作,录制并发行了协奏曲的唱片。同年,作为最年轻的特邀艺术家,他在北京中南海钓鱼台国宾馆为中外领导人献上精彩演出。

莫弘毅因其’精湛且出神入化的演奏’(《底特律简报》)而广受赞誉,同时也被《乐器月刊》称赞为’具有创造出引人入胜氛围的青年音乐家’。在意大利卡萨尔马焦雷国际音乐节上,他演奏了尤金. 伊萨依(E.Ysaÿe)的鸿篇巨制《六首无伴奏小提琴奏鸣曲》全套作品,赢得了长达15分钟的起立鼓掌,并因其’富有感染力的诠释与卓越技巧’(《米兰报》)而备受好评。

莫弘毅以优异的成绩获得耶鲁大学(Yale University)的音乐硕士学位以及密歇根大学(University of Michigan)的音乐艺术博士学位,并获得了Phi Kappa Phi荣誉。早在学生时代,他就经常与世界享有盛誉的指挥大师演出,包括尼姆·雅尔维(Neemi Järvi),库特·马祖尔(Kurt Mazur),小提琴/中提琴家平卡斯·祖克曼(Pinchas Zukerman),小提琴家维维安·哈格纳(Vivian Hagner),已经小提琴家林昭亮(Cho-Liang Lin)等世界知名指挥家和独奏家密切合作。2014年作为独奏家与指挥大师伦纳德·斯拉特金(Leonard Slatkin)和底特律交响乐团合作,演奏了维瓦尔第的《四小提琴协奏曲》。他还与Grosse Pointe交响乐团合作演出了西贝柳斯的小提琴协奏曲。

莫弘毅对多种音乐风格有着浓厚兴趣,多次参与非古典音乐的跨界音乐的表演,包括录制中国港珠澳大桥大型交响组曲主题歌的小提琴独奏,担任安德烈·波切利(Andrea Bocelli)30周年音乐会的副首席,并与说唱乐教父埃米纳姆(Eminem) 一同在密歇根中央车站复兴大典音乐会上演出。

莫弘毅拥有丰富的乐团演奏经验。就读中央音乐学院期间,他担任中国青少年交响乐团的首席。在曼哈顿音乐学院深造时,担任了该校室内乐团和交响乐团的首席,并在享有盛誉的’曼哈顿征服曼哈顿’系列音乐会于卡内基音乐厅演出时担任首席,赢得了《纽约时报》的报道与好评。此外,他还曾担任鲍登国际音乐节乐团和欧柏林当代音乐室内乐团的首席。作为美国十大交响乐团之一的底特律交响乐团(Detroit Symphony Orchestra) 的终身小提琴家和代理第二小提琴首席,他常与世界著名指挥大师和顶尖艺术家们同台演出,迄今已演出近3000场古典音乐会。

作为室内乐演奏家,莫弘毅曾与国际知名的东京弦乐四重奏和美国弦乐四重奏的成员深入学习重奏演奏,并与著名小提琴家林昭亮一同巡演。此外,他还与底特律交响乐团的同事们紧密合作,共同演绎多部室内乐作品

作为一名极富实战经验和具有雄厚学术背景的小提琴教师,莫弘毅目前担任林耀基教学法推广平台的讲师。他曾在密歇根大学音乐学院任弦乐系助教,并多次作为客座艺术家受邀到遐迩闻名英特罗根艺术学院(Interlochen Arts Academy) 夏季音乐节讲大师课。他曾担任北京首都师范大学和多米尼加共和国国家音乐学院的客座教授。作为底特律交响乐团教育部的重要一员,莫弘毅也长期担任底特律青少年交响乐团的小提琴声部指导和教师。他的学生们在美国全国比赛中得奖,成功考入了以严格挑选著称的曼哈顿音乐学院管弦乐学院, 密歇根大学音乐学院等著名院校,以及在美国顶级乐团如巴尔的摩交响乐团(Baltimore Symphony Orchestra)中担任职位。

莫弘毅的艺术发展深受多位名师的指导。 他自幼跟随中国小提琴教育巨挚林耀基教授学习,并被邀请参加萨尔瓦托·阿卡多(Salvatore Accardo),热拉尔·普莱(Gérard Poulet),库特·萨斯曼豪斯(Kurt Sassmannshaus)等世界知名小提琴家及教育家的大师班。赴美后在纽约爱乐乐团首席小提琴家Glenn Dicterow门下学习;包括纽约爱乐乐团副首席小提琴家Lisa Kim、圣路易斯交响乐团首席David Halen的教导。他还参与费城管弦乐团首席David Kim、大都会歌剧院管弦乐团首席David Chan、洛杉矶爱乐乐团首席Martin Chalifour等美国小提琴领军人的大师班。

莫弘毅与多次格莱美大奖获奖制作人Alan Bise合作录制了个人首张专辑《蜕变 - 普朗克的小提琴之音》,该专辑将由Azica唱片公司发行,预计将于2025年八月发行。

莫弘毅所使用的小提琴由著名德籍法裔制琴师Stephan von Baehr亲手制作。

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